Taste-matched follow-ups
These picks stay near the sharp class satire, family conflict, and boss employee rivalry feel, then widen out into a few deeper cuts.
Closest matches first, then broader nearby picks.
Why this fits: Fisk keeps the joke-dense, status-obsessed comedy energy of 1670, with a lead who talks big and gets repeatedly knocked down in workplace humiliations. Expect fast dialogue, sharp embarrassment, and a steady stream of indignity-driven scenes, but with a modern office setting instead of 17th-century noble chaos.
Why this fits: Best Medicine delivers the same flawed-expert comedy pressure as 1670, where competence and self-sabotage collide in public. A brilliant doctor’s social awkwardness turns everyday professional moments into awkward standoffs and incremental softening, trading period satire and peasant resistance for medical workplace tension and personal growth.
Why this fits: Acapulco shares 1670’s story-based comedy feel, where character friction and ambition spark jokes across episodes. The resort workplace social climbing and dual-timeline banter bring warmth and nostalgia, swapping noble-family feuds for a more intimate, dream-chasing atmosphere with gentler pacing.
Why this fits: 1670 leans on sharp class satire and family conflict, so you get comedy that bites while people jockey for status. Alpha Males keeps the focus on socially awkward men behaving badly and friend-group chaos, but it’s more cringe and less political mockumentary.
Why this fits: 1670’s gender equality jokes and immigration reform humor land through messy social power plays inside everyday life. Young Ladies Don't Play Fighting Games trades the mockumentary edge for school facade comedy, where gaming embarrassment and classmate rivalry drive the drama, plus yuri-adjacent crushes add a more intimate crush thread.
Why this fits: 1670 uses boss-employee rivalry and political mockumentary framing to turn workplace and family pressure into sharp jokes. Super Subbu goes deeper into workplace humiliation and secret-keeping farce, with awkward sex-ed comedy and small-town hostility, but it’s more fish-out-of-water and less overtly political.
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