Archived · SBS
No Tail to Tell runs its comedy on a simple inversion: Eun-ho is a gumiho who wants nothing to do with good deeds or human feelings, because virtue is precisely what she cannot afford. Every episode finds her dodging the kind of selfless moment that would inch her closer to humanity, which makes the supernatural premise feel genuinely comic rather than decorative. The humor is situational and light, built around a protagonist whose self-interest is a survival strategy.
Her foil, a soccer star with an ego to match her own, is less a love interest than a recurring inconvenience. Two people equally committed to themselves, kept circling each other by circumstance, generates a specific kind of friction: neither is trying to win the other over, which keeps the romantic entanglement feeling like a threat both of them are actively mismanaging.
Sci-Fi & Fantasy and Comedy
Sci-Fi & Fantasy and Comedy
Season 1
SBS
Eun-ho, a free-spirited gumiho, avoids good deeds and romance to steer clear of becoming human. Her carefree life takes an unexpected turn after a fateful encounter with a self-absorbed soccer star.
Start with the closest match, then check out two more shows with a similar feel, pace, mood, or theme.
A tale of the bungling of Armageddon features an angel, a demon, an eleven-year-old Antichrist, and a doom-saying witch.
Good Omens and No Tail to Tell both turn supernatural trouble into breezy comedy, where cosmic or immortal characters dodge responsibility with deadpan charm. You get the same kind of banter-driven scenes and absurd “big events” energy, but No Tail to Tell keeps it lighter and more romance-avoidant.
Jinn, a genie who awakens after a thousand years, and Ka-young, his new impassive master.
Genie, Make a Wish shares No Tail to Tell’s playful fantasy comedy built on mismatched supernatural personalities and constant friction. The genie’s exuberance against an impassive master mirrors Eun-ho’s refusal to change, with lots of quick jokes and awkward moments that stay warm rather than dangerous.
A young couple inherits a mansion in Kifisia, only to discover it is haunted by nine mischievous ghosts, sparking a series of surreal and comic adventures.
Ghosts and No Tail to Tell both deliver light supernatural comedy, where everyday life gets derailed by strange beings and stubborn personalities. No Tail to Tell’s gumiho dodges good deeds and romance, while Ghosts leans into chaotic cohabitation scenes and episodic mishaps that feel cozy, not tense.
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