Archived · TV Tokyo
In 2052, an emergency task force is assembled when a miracle cure is hijacked for purging populations.
Start with the closest match, then check out two more shows with a similar feel, pace, mood, or theme.
A contemporary, high-octane thriller about the heist of the century and the ordinary office worker who finds herself at the heart of it.
Steal keeps the pressure-cooker pace of Lazarus, where an urgent mission turns into escalating danger for everyone nearby. An office worker gets pulled into fast heist chaos, and the tension stays personal through tight jeopardy and nonstop momentum, with less institutional sci-fi scale than Lazarus.
In the shadowy world of espionage, Sam Fisher is a rumor and a legend. Pulled back into action, he must help a new recruit unravel a global conspiracy.
Splinter Cell: Deathwatch delivers the same story-driven urgency as Lazarus, with secrecy, hard choices, and missions that feel like they can go wrong at any second. Veteran mentorship and a new recruit’s tension mirror the co-worker ensemble strain in Lazarus, but the danger is colder and more covert, trading near-future cure stakes for spy conspiracy unraveling.
When a fearsome and ancient species emerges from the ocean, dramatically revealing themselves to humanity, an international crisis is triggered. With the entire population at risk, UNIT step into action as the land and sea wage war.
The War Between the Land and the Sea matches Lazarus with institutional crisis response under extinction-level stakes, where specialists make brutal calls while the threat keeps expanding. The contained miniseries dread and first-contact survival pressure feel close to Lazarus’s high-casualty momentum, but it leans more into creature horror and slow-burn dread than team-based action.
